Knowle West Boy: Reading Tricky’s Memoir

Hell Is Round The Corner explores the contradictions of a music industry that was determined to profit from his outsider status in the wake of Maxinquaye’s release in 1995. It also displays his determination to maintain his autonomy in the face of shallow celebrity culture. But as well as being a finely-crafted document of several decades in the limelight, the book reveals how Tricky, now in his 50s, is a keen social observer, having spent his life mixing with gangsters, boxers and gunmen, as well as celebrities, models and intellectuals. 

Adam Quarshie for The Quietus

Currently reading.

Eurorack Pitch + Gate Sequencer Module Comparison

This is a pretty exhaustive and up-to-date basic comparison of fancy sequencers for Eurorack. There are many sequencer-related modules for Eurorack, and this comparison is rather picky, focusing on heavier-duty, melodic-oriented designs with fairly complete gate sequencing ability. It includes pretty much everything at the “high end” and excludes pretty much all simpler “utility sequencers”.

The art of production: Surgeon

“If I had to boil down my take on all of this, it’s about wanting to have people’s boundaries expanded somehow. They would come in with a certain idea about things and leave with that widened. That’s the aim of music and performance for me, to open people’s heads up, to give them an experience outside their normal routine or life, to make them think there’s something else out there. To reconsider the boundaries they set on the world they live in. Maybe these boundaries and ideas are not so fixed and solid? They’re really very loose, I believe. That’s the whole idea of music, to transmit that idea, to make them bend their idea of the world.”

A techno luminary outlines his approach to live performance.

Label of the month: Rephlex

Resident Advisor looks back…

It’s not easy pinning down Rephlex, the label founded in the early ’90s by Richard D. James, AKA Aphex Twin, and Grant Wilson-Claridge. While many labels have clear aesthetics—consistent visual design, a focused signature sound—Rephlex, in its 23-year run, swerved from nosebleed techno to luxuriant lounge pop, musique concrète to blown-out ragga, and of course, lots and lots of acid.

Old Rephlex rave flyers
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